Sony a300

 
Latest Tweet: "No public Twitter messages." Follow Us

Archives for the Category: Accessories

LensCoat BodyGuard Pro (Black)

Information on B&H website . Here

The LensCoat BodyGuard Pro (Black) is a camera body pouch made from soft shock-absorbing neoprene, protecting a digital SLR camera body with the lens attached from the nicks, dings and scratches of accidental impact. It also keeps the camera body free from dust and dirt and protects it from the elements. The BodyGuard has a touch fastener closure that makes storage and access quick and easy. It is designed to fit pro camera bodies, prosumer bodies with the optional body grip installed, SLR camera bodies with extended power winder and cameras with L-brackets mounted.

Note! This version comes in a matte all-black finish to better blend in where desirable. Or, it can be used just for its protection value.

  • Fits Digital SLR with Lens Attached
  • Neoprene Pro SLR Camera Body Pouch
  • Protects Camera from Nicks and Dings
  • Keeps Camera Free from Dust and Dirt
  • Fits Digital SLR with Lens Attached
  • Neoprene Pro SLR Camera Body Pouch
  • Protects Camera from Nicks and Dings
  • Keeps Camera Free from Dust and Dirt
  • lens coat LensCoat BodyGuard Pro (Black)

     


    Tags:

    Kata GDC Series E-702 Elements Cover For Rain & Snow

    The E-702 lets you continue shooting in harsh weather conditions. It slips quickly over the camera and is easily secured with the adjusters and pull-cords. Two roomy sleeves provide hand access to all camera and lens controls, and the transparent TPU enables easy monitoring all the time.

    An adjustable PP hood fits a variety of lens diameters. A full-length double zipper enables complete closure when hand held or on a tripod. The E-702 fits all types of pro Digital / SLR cameras with or without booster or grip.

    The E-704 consists of 2 Lens Sleeves, up to 350 and 650mm long, and 1 Hand-Sleeve to access the lens or for attaching a lens support. The E-704 is designed to be attached to Karta’s E-702, when shooting with extra long zoom or tele-lenses.

    Full length closure along the bottom rim enables quick set-up, and seals tripod connection, while also providing an option to access the lens controls at any point. For sealed access, the hand Sleeve can be connected wherever convenient. The PP hood can be adjusted to fit a variety of lens diameters.

     kae702 1 Kata GDC Series E 702 Elements Cover For Rain & Snow

    kae702 300x300 Kata GDC Series E 702 Elements Cover For Rain & Snow

     

    Tags: , ,

    3-LIGHT FLUORESCENT 1050-WATT 48 IN. LIGHT TENT KIT

    Looking to shoot commercial or just smaller fine pieces. A300.org  recommends the FLB-4 Smith Victor Three Light Fluorescent Kit with 48″ Light Tent, by Smith-Victor.

    svlights1 3 LIGHT FLUORESCENT 1050 WATT 48 IN. LIGHT TENT KIT

     

     

     

     

     

     

     

     

    The FLB-4 Smith Victor Three Light Fluorescent Kit with 48″ Light Tent puts out as much light as a 1050 watt tungsten halogen kit. It includes 3- FL3 Fluorescent Flood Lights, each of which accepts 3- screw-in fluorescent bulbs. The light stands included rise to a maximum height of 8′. The MB110 Boom Arm allows lighting the setup from overhead.

    The 48×48x48″ Smith Victor Light Tent with Black and White Sweeps is a high-quality, translucent cloth material housing for photographing small and medium product groups that can be lit with daylight, HMI, electronic flash, fluorescent quartz and tungsten light sources.

    The Light Tent can be lit from the sides, top, back, front or can be placed on a shooting table for bottom illumination. It includes a removable white, and a black sweep, offering alternative backgrounds. Optional colored cloth or paper sets are available to add variety to backgrounds.

    • Shooting Tent size is suitable for multiple item jewelry setups and multiple small objects.
    • Each of the long-lasting ceramic sockets has a spot/flood control.
    • Flicker-free, and cool-running — good for film, digital, or video use.

    Tags: , ,

    Datacolor’s SpyderCube


    spider cube Datacolors SpyderCube

    Obtaining an accurate colour balance when adjusting raw files can be a time-consuming process. Datacolor’s SpyderCube is an extremely simple tool that aims to take much of the hassle out of adjusting raw files.
    cube Datacolors SpyderCubeControl color by balancing light

    This is not just another gray card! Create your own custom white balance, obtain spectral neutrality data from multiple lightsources, and correct highlight and shadow details with SpyderCube. Establishing an accurate custom white balance ensures an accurate image from the start of each new photo session. Photographers can capture accurate color without a lot of after-the-fact manipulation. SpyderCube is the RAW calibration tool that belongs in every photographer’s bag!

    The SpyderCube makes your camera more intelligent! It captures in a single shot a wide range of color and exposure data. You simply use the cube in one of a series of images, adjust accordingly, save as a preset, and apply to an entire series of images to color correct in seconds.

    The SpyderCube is made of ABS Cycoloy, a hybrid resin that is fade proof, extremely durable, and flame / shock resistant. In addition, colors are through-pigmented for durability, and are scientifically formulated to provide optimal color values, including an 18% gray which defines a new standard for spectral neutrality to provide accurate color balance under any light source.

    Designed for
    :

    Advanced Amateur, Professional Photographers and anyone who shoots with a Digital SLR

     

    Features and benefits

    • Capture accurate color without a lot of trial and error manipulation
    • Spectrally Neutral, so that Cube responds accurately to all lighting conditions
    • Provides reference values to check and adjust RAW control settings
    • Includes Black Trap for shadow detail control
    • Allows users to instantly correct color images by setting color temperature value
    • Allows users to accurately adjust shadows and highlight detail in any RAW image
    • Ideal for location shooting (outdoor or indoor) and studios
    • Essential for RAW conversion, and can also be used when correcting images in a JPG workflow

     

    What You Get

    • Datacolor SpyderCube™
    • Protective pouch
    • Quick Start Guide (available in 10 languages: English, Spanish, French, German, Italian, Russian, Traditional Chinese, Simplified Chinese, Korean, Japanese)


     

    tff(468x60) 03 Datacolors SpyderCube
    TFF Hosting
    Hosting Packages Starts at $1 per month.

    Tags: ,

    Flashpoint F-3 Magnesium Alloy Tripod Ball Head

    flashpoingf 3 Flashpoint F 3 Magnesium Alloy Tripod Ball Head

     

     

     

     

     

     

     

     

     

     

     

     

     

    Changing your tripod head can make a big of difference in your photography. That’s why a300.org recommends the Flshpoint F-3 Magnesium Ally Tripod Head with quick release.

    Flashpoint Ball Heads feature smooth operational movement and positive locking. Made of magnesium alloy, they are 30% lighter than standard materials and that’s a real savings for photographers on the go.

    The quick release plate receiver has a safety catch to prevent accidental release of the Q.R. plate.

    Flashpoint Ball Heads are available in several sizes to accommodate the various needs of photographers.

    tff(468x60) 03 Flashpoint F 3 Magnesium Alloy Tripod Ball Head
    TFF Hosting
    Packages Starts at $1 Per Month

    Tags: , , ,

    Lowepro Dry Zone 200 Waterproof Camera Backpack

    lowdryzone200 Lowepro Dry Zone 200 Waterproof Camera Backpack

     

     

     

     

     

     

     

     

     

     

     Lowepro DryZone™ 200 Capacity: 

    At a300.0rg we like to review the best quality gear for all your photography needs. This Lowepro Dry Zone 200 camera backpack is made with great quailty form Lowepro.

    • large 35mm or digital pro SLR; 4–5 lenses (up to a 300mm f/2.8, with hood reversed); flash and accessories; or 
    • compact medium format system (like the Mamiya® 645); or 
    • small field camera system; or 
    • professional video system

     

    lowdryzone200 2 Lowepro Dry Zone 200 Waterproof Camera BackpackDryZone 200 Size (Interior):  12W x 6D x 17H in. / 30.5 x 15 x 43 cm

    DryZone 200 Size (Exterior):  14.5W x 11.5D x 19H in. / 37 x 29 x 48.5 cm

    Lowpro Outer fabric (Backpack):  water-resistant 600D TXP™ and 2000D ballistic nylon

    Lowepro DryZone 200 Outer fabric (Waterproof Drypod):  waterproof plastic-coated nylon

    DryZone is the world’s first totally waterproof, soft-sided camera backpack.  Even fully loaded, they float so your gear is always protected.

    The inner drypod with patented, waterproof TIZIP™ zipper provides 100% watertight protection.  It’s like a drysuit for your equipment. When less protection is needed, leave the TIZIP™ open and fasten just the inner zipper and top clip for easier access. The heavy-duty, padded camera compartment inside is fully customizable while the outer shell comes complete with a technical backpack harness.  Also included: ergonomic lumbar support; fully adjustable CollarCut™ shoulder straps; tuck-away tripod holder; self-draining mesh pockets; drain hole; rubber handle; and attachment loops for SlipLock™ accessories. DryZone packs are comfortable to wear and give you total peace of mind in extreme environments. Includes 1 x tube of zip lubricant.

     

    lowdryzone200 3 Lowepro Dry Zone 200 Waterproof Camera Backpack

    tff(468x60) 03 Lowepro Dry Zone 200 Waterproof Camera Backpack
    Try TFFHosting.com
    Plans Start $1.00 Per Month..

    Tags: , ,

    Sekonic L 758C Cine Light Meter

    l 750c Sekonic L 758C Cine Light Meter

    A300.org knows when it comes to professional photographers, having the right tools means getting the perfect shot. The Sekonic L-758Cine DIGITALMASTER is the ultimate light-measuring tool for cinematographers, videographers as well as digital still shooters. Offering the most extensive range of fps (frames-per-second), cine shutter speeds, and shutter angle settings, it meets and excedes the demands of Professional Cinematographers as well as Professional Still Photographers. It is the first to offer a 1° parallax-free spot viewfinder with a digital display. A built-in retractable incident Lumisphere for standard or cosine corrected light readings, provides both hemispherical and narrow angle readings. The L-758Cine DUALMASTER will handle any lighting situation. It offers foot-candle, lux, foot-lambert and cd/m2 measuring modes plus cine shutter speeds from 1 to 1000 fps and shutter angle settings from 1° to 270°.

    Spot with Digital Display
    The L-758Cine DIGITALMASTER features a rectangular 1° parallax-free spot viewfinder. In dim or bright light situations, the L-758Cine DIGITALMASTER’s spot viewfinder displays shutter speeds, aperture and more. The built-in spot meter measures both reflected ambient, flash or combined lighting. The optical finder also features an eyepiece with an adjustable diopter.

    Shutter Angle
    1° to 10° in 1° increments, from 15° to 270° in 5° increments plus 12°,17°,22°,144° and 172° individual settings

    Cine Speeds
    1 thru 1000 fps. (frames per second)

    Analog f/stop Display
    f/0.5 to f/45 (in 1/3 steps)

    Light Measurement Modes
    Footcandle 0.10 to 180,000
    Lux 0.63 to 190,000
    Cd/m2 0.25 to 190,000
    Foot-lambert 0.07 to 190,000
    Ambient EV (Incident) EV -2 to EV 22.9
    Ambient EV (Reflected) EV 1 to EV 24.4 (with 1° spot viewfinder) Flash (Incident) f/0.5 to f/161.2 Flash (Reflected) f/2.0 to f/161.2

    Filter Compensation Settings
    Selectable on ISO 2: 85, -n3, -n6, -n9, -A3, -A6, -A9 or +/- 5.0EV in 1/10 step increments for Incident and Reflected independently

    Optional Plug-in Radio Transmitter Module
    Electronic flash units and/or cameras can be triggered wirelessly with the optional plug-in digital radio Transmitter module (compatible with all PocketWizard Digital Radios).Simultaneous triggering and measuring of flash units up to 100 feet away is possible. With its new easy-to-use Selective Quad-Triggering control (4 zone lighting control), the L-758Cine DUALMASTER offers quick selection of which flash unit to trigger and measure independently with a touch of a key. Now you can individually measure several flash units wirelessly by the touch of the meter’s measuring button, without walking over to each light and turning it on or off.

    Memory Mode
    Up to nine readings can be memorized and displayed on the analog scale independently in incident or spot metering modes in both Aperture and Shutter Priority Modes. Using Memory recall and clear, you may review all memorized readings individually on main display and selectively delete individual readings, or clear all simultaneously.

    Full, 1/2 or 1/3-step Selectable Readings
    Both shutter speeds and apertures can be displayed in either full, 1/2 or 1/3-step increments plus 1/10 stop units to match your film or digital camera; selecting these increments is quick and easy with custom software menu settings.

    Exposure and Calibration Compensation
    Independent incident and reflected exposure compensation of up to +/-9.9 EV
    Calibration compensation of +/-1.0 EV

    Dual ISO Settings
    The L-758Cine DUALMASTER offers the flexibility of taking a single measurement and displaying the f-stop and shutter speed for two different ISO film speeds.

    Full-Featured Flash Measurements
    1. Cord Flash Mode (Cumulative and Non-Cumulative)
    2. Cordless Flash Mode (Cumulative and Non-Cumulative)
    3. Radio Triggering Mode

    All Weather Design
    All buttons, switches and compartments are sealed and the meter housing has been constructed with durable, rugged conditions in mind.

    The world’s first multi-function light meter that can be programmed to match the sensitivity of digital still camera sensors or types of film for perfect exposure control. Since no two digital cameras, camera and light meter or different types of films are likely to agree on exactly the same exposure, they need to be matched to one standard. Sekonic has recognized the need for this and created the first programmable light meter. The L-758Cine can compensate for variation in exposure accuracy caused by different ISO settings, light sources, measuring methods and even file formats. In addition, the dynamic range of a camera sensor can be stored and displayed on the meter’s LCD screen.

    In addition to its special cine capabilities, the L-758Cine includes a unique flash/ambient analyzing mode, which simultaneously reads both flash and ambient light automatically, and can display combined flash/ambient readings, percentage of flash in the total exposure, and simultaneous display of flash, ambient, and combined readings on an analog scale. It also reads in shutter-priority, aperture priority, or EV modes, and makes cumulative readings in both cord and cordless mode.

    PocketWizard ready. With optional plug-in PocketWizard module, the meter becomes nothing less than a Master Control Center that allows you to trigger individual PocketWizard-equipped still cameras or electronic flash units remotely, using a 16/24-bit, security-encoded digital signal.

    Tags: , , ,

    Cokin Circular Polarizer Filter P164

    cokin p164 Cokin Circular Polarizer Filter P164

     

     

     

     

     

     

     

     

     

    Cokin Circular Polarizer is a must have for all cokin filter users. Light rays which are reflected by any surface become polarised and polarising filters are used to select which light rays enter your camara lens.
    · They allow you to remove unwanted reflections from non-metallic surfaces such as water, glass etc.
    · They also saturate colors and increase contrast.
    · Polarizers come in two variations but have the same effect. Linear polarizers work with older camera meters; circular polarizers are designed for today’s newer slpit-beam metering systems used in auto focus cameras; check your camera’s manual.

    Use the CZ164 Circular Polarizer on multiple lenses up to 96mm with Cokin’s quick change modular holder system.

    Tags: , ,

    Sigma EF-530 DG ST EO-ETTL II Flash for Sony Alpha

    ef530 st Sigma EF 530 DG ST EO ETTL II Flash for Sony Alpha

    The Sigma Corporation is pleased to announce the launch of the new ELECTRONIC FLASH EF-530 DG ST. The Sigma EF-530 DG ST features a powerful Guide Number of 53 and is designed to work with the latest TTL auto exposure systems of all popular manufacturers’ digital and film SLR cameras. It features TTL automatic flash exposure control for easy operation. The auto zoom function automatically sets the optimum illumination angle in accordance with the lens’ focal length in a range from 24mm to 105mm. When the built-in Wide Panel is used, the flash can cover the angle of 17mm.For bounce flash, the flashgun head can be tilted up by 90 degrees, to the left by 180 degrees, or to the right by 90 degrees. It can also be tilted down by 7 degrees allowing ease of use for close-up photography. In addition to automatic mode, the flashgun also features a manual flash mode, making it possible to set the flash power level to full or 1/16. When the flashgun is fully charged, a confirmation ‘ready’ light will be emitted and the flash exposure level can be checked through the cameras viewfinder. Other features incorporated into this flashgun include the Auto Power-Off function to help save battery power.

    • Features a powerful guide number of 53.
    • Designed to work with the new TTL systems of all the popular manufacturers.
    • Covers a focal length from 24mm to 105mm.
    • Built-in Wide Angle Diffuser Panel allows the flash to cover an angle of 17mm.

    Guide number 53/m(174/ft) ISO 100/m(with the zoom head at 105mm)

    Power source Four AA alkaline or AA NiCd or Ni-MH (Nikel Metal Hybride) batteries

    Charging time 6 seconds (when using alkaline batteries)
    Approx. 4 seconds (when using NiCd, Ni-MH batteries)

    Number of flashes Approx. 220 flashes (when using alkaline batteries)
    Approx. 100 flashes (when using NiCd, Ni-MH batteries)

    Illumination angle Automatically set in accordance with the focal length of the lens, in a range from 24 mm to 105 mm. Also covers the angle of a 17-mm lens when used with the built-in Wide Panel.

    Bounce angle (Up) 0, 60, 75, 90 degrees

    Bounce angle (Right) 0, 60, 75, 90 degrees

    Bounce angle (Left) 0, 60, 75, 90, 120, 150, 180 degrees

    Tilt angle (Down) 0, 7 degrees

    Dimensions (W X H X D) 77 X 139 X 117mm
    3.0 X 5.5 X 4.6 inch

    Weight 305g / 10.8 oz. (without batteries)

    Tags: , ,

    Monostat RS16K Carbon Fiber All-Round Monopod

    monopos Monostat RS16K Carbon Fiber All Round Monopod

    The Monostat RS16K Carbon Fiber All-Round Monopod is an “all-around” mid-range monopod constructed of carbon fiber material, and offers ultra-steady positioning due to its unique “Swivel Toe Stabilizer” foot. Due to the ball-socket friction-bearing design of the foot, involuntary movements around the longitudinal axis of the leg are prevented while obtaining smooth motion in the horizontal axis for the purpose of following moving objects, or shooting panoramic views. This ensures steady shots even in the most extreme telephoto positions.

    483505 Monostat RS16K Carbon Fiber All Round Monopod

     

     

    • Carbon fiber materials are very shock and vibration absorbent, but still relatively lightweight
    • Steady shots up to a 60° angle to the horizontal
    • Stabilization in the vertical and horizontal axes
    • Enables shooting on slippery surfaces, such as marble or ice, and from moving vehicles
    • Made in Switzerland

    Maximum Height 60.6″ (154 cm) Folded Length 20.8″ (53 cm) Load Capacity 30 lbs (13.6 kg) Leg Sections 4 Leg Lock Type Twist locks Male Thread Size Dual 1/4″-20 & 3/8″ Weight

    Tags: , , ,